The World As We Know It – By Kwadwo Bouamah (2078)

In the end, the line between flesh and data, between choice and control, became too thin to see. Tariku told us we would be free. Yet, in this perfect world of endless possibility, freedom tasted like prison. Dev may not be utopia. It feels like a cage, one we walked into willingly, with eyes wide open and hearts shut tight. The price for eternal life may just be your soul, and once you’ve sold it, there may be no going back.

Hikikomori – Kiyoshi Masayuki 2077

“For 13 years, I never left home—trapped by my fear of a world spinning too fast for me. But now, in Dev 2.0, I’ve built a new version of myself. Here, I can be anyone… and for the first time, I’m free.”

My Father, the Antique

My father has spent his life surrounded by relics of the past. He runs one of the most successful antique stores in this part of the world, but lately, I’ve realized he’s not just selling antiques—he’s becoming one. Stuck in a world where art had to scream to be meaningful, he can’t understand why I’m content creating beauty without political baggage.

To him, Development—the future we’ve earned—is terrifying. To me, it’s salvation. His generation feared the collapse of Earth, fought for survival, and now… they cling to their history like a life raft. But the irony? My father is slowly turning into the very relics he’s been selling all his life—priceless, yes, but completely out of time.

And as for me? I’m not just an artist; I’m the bridge between the past he refuses to leave behind and the future he’s too scared to embrace.

The Death of Marriage?

“Marriage is dying a natural death, but Nana won’t admit it. She clings to tradition, yet refuses to see how Dev frees us from being love slaves.”